The Weiss Gallery
Skip to main content
  • Menu
  • Selected Inventory
  • TEFAF 2025 Highlights
  • CATEGORIES
  • Fairs
  • News & Press
  • Publications
  • About
  • Contact
  • Join our mailing list
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • Menu
A 3-year-old girl from the Shafto family

Selected Inventory

  • All
  • 16th Century
  • 17th Century
  • 18th Century
  • Dutch
  • Our current stock of portraits depicting a range of sitters from Tudor Royals to English-Levantine Merchants
  • Flemish
  • French
Open a larger version of the following image in a popup: Master of the Shafto Portraits (fl. 1620 – 1630), A 3-year-old girl from the Shafto family
Open a larger version of the following image in a popup: Master of the Shafto Portraits (fl. 1620 – 1630), A 3-year-old girl from the Shafto family Fig. 1 Master of the Shafto Portraits
A 6-year-old boy from the Shafto family
Oil on panel: 44 ¾ x 33 ¼ in.
Dated 1629
Formerly with The Weiss Gallery, London.
Open a larger version of the following image in a popup: Master of the Shafto Portraits (fl. 1620 – 1630), A 3-year-old girl from the Shafto family Fig. 2 Master of the Shafto Portraits
A boy from the Shafto family
Oil on panel: 44 ¾ x 33 ¼ in.
Painted circa 1625 - 1630
Formerly with The Weiss Gallery, London.

Master of the Shafto Portraits (fl. 1620 – 1630)

A 3-year-old girl from the Shafto family
Oil on panel
32 3/8 x 26 in. (82.3 x 66.1 cm.)
Dated and inscribed, upper right: '· 1626· / ÆTATS· 3· ’
Copyright: The Weiss Gallery, London
Enquire about this work
%3Cdiv%20class%3D%22artist%22%3EMaster%20of%20the%20Shafto%20Portraits%20%28fl.%201620%20%E2%80%93%201630%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EA%203-year-old%20girl%20from%20the%20Shafto%20family%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20panel%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E32%203/8%20x%2026%20in.%20%2882.3%20x%2066.1%20cm.%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3EDated%20and%20inscribed%2C%20upper%20right%3A%20%27%C2%B7%201626%C2%B7%20/%20%C3%86TATS%C2%B7%203%C2%B7%20%E2%80%99%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
  • (View a larger image of thumbnail 3 ) Thumbnail of additional image
View on a Wall
Whilst fitting of the Jacobean age, this extremely charming full-length portrait of a young girl dates to the early years of Charles I’s reign. Associated with a group of distinctive portraits by an artist affiliated with the Shafto family, whose seat Bavington Hall in Northumberland was once the home of our portrait, this portrait survives in exceptional condition and likely within its original frame.
Read more

Provenance

By family descent to Rosa Duncombe Shafto (1888 – 1979), Bavington Hall, Northumberland; her sale

Christie's, London, 23 November 1979, lot 130; where acquired by

Private collection, England; by whom sold

Sotheby's, London, 12 November 1997, lot 26; where acquired by the previous owner.

The simple setting, being a featureless background and a knotted oak floor, allows the radiance of her elaborately detailed, and vibrantly coloured costume to be admired unchallenged. The child’s dress, designed with distinctive alternating horizontal bands of amber-gold and black stripes, features a lace-trimmed gauze apron, and her simple falling lace-edged ruff is consistent with the dating of the painting of 1626, as inscribed in the upper right corner of the painting’s composition. The pureness of the lace’s white, whether on her elaborate headdress or her cuffs, is subtly interrupted by flashes of red, which permeates through the transparent material.


In her right hand, the little girl tenderly holds a small bunch of gillyflowers (carnations): the most prominent stem has fully blossomed, whilst another remains a bud. This could symbolise that whilst she is evidently a beautiful child of great means, her life will blossom as she matures. Carnations also change in colour as they grow and, as the girl is holding two stems at different stages of their growth, might allude to the fact that as the child grows older she will also change in appearance and character.


Our portrait appears to be the earliest in the set of portraits depicting children from the Shafto family [Figs. 1 & 2]. The Shafto’s were a prominent family in the north-east of England, primarily based around Northumberland. The patriarch of the family, Thomas Folliott, assumed the name of Shafto in 1282, having derived it from his residence of Shafto Crag in Northumberland. The subsequent family seat, Bavington Hall, entered the family in the 15th century when William Shafto married the heiress of Little Bavington, Margaret Riddell. The medieval house was replaced in the late 17th century when the main house, as we know it today, was built.


William Shafto (c.1576 – 1666), who was likely a very close relative of the present subject, was the first of many in the family to serve as High Sheriff of Northumberland, one of the most prestigious and respected positions in English society. A couple of generations later, however, the high-standing reputation of the family was shaken William Shafto (c.1663 – 1719) and his son John were attainted for their part in the Jacobite uprising of 1715. This resulted in the Bavington estate being forfeited to the Crown. Luckily, this disconnection was short-lived as the house was restored to the Shaftos upon the death of Admiral George Delaval, who had bought it in 1716, as he left his estate to his brother-in-law, George Shafto Delaval M.P. (1703 – 1782).[1] Robert Ingram Shafto (1770 – 1848) was the last direct descendant of William Shafto to own Bavington as he did not produce a male heir, instead it passed to his cousins, whose seat was Beamish Hall in County Durham. The Bavington estate subsequently remained in the Beamish line until the late 20th century.



[1] B. Burke, A Genealogical and Heraldic Dictionary of the Landed Gentry of Great Britain and Ireland, Vol. II, London 1839, p. 1358.

Previous
|
Next
10 
of  36

SPECIALIST DEALER IN TUDOR, STUART & NORTHERN EUROPEAN OLD MASTER PORTRAITURE

The Weiss Gallery

59 Jermyn Street

London SW1Y 6LX

Get In Touch

+44 (0)20 7409 0035

info@weissgallery.com

Twitter, opens in a new tab.
Facebook, opens in a new tab.
Instagram, opens in a new tab.
Privacy Policy
Manage cookies
Copyright © 2025 The Weiss Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Subscribe to our mailing list

* indicates required

The Weiss Gallery will use the information you provide on this form to be in touch with you and to provide updates and marketing. Please let us know all the ways you would like to hear from us:

You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at info@weissgallery.com. We will treat your information with respect. For more information about our privacy practices please visit our website. By clicking below, you agree that we may process your information in accordance with these terms.

We use Mailchimp as our marketing platform. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. Learn more about Mailchimp's privacy practices here.