1680 – 1780
Two children, said to be Emily and Robert Cecil
Painted circa 1690
Oil on canvas: 29 13/16 x 28 3/8 inches, 74.5 x 71 cm
- Private collection, England
Johann Kerseboom most likely accompanied his uncle, the portrait painter Friedrich Kerseboom (1632 - 1693), when the latter journeyed to England in the early 1680s. Johann also set up a practice in London as a painter of portraits, however, with greater success than his elder relative. A number of his portraits were engraved in mezzotint, of which eight are known. Though the postures and designs of Johann Kerseboom’s portraits often follow the formulaic patterns first seen in the works of Sir Peter Lely (1618-1680) and Sir Godfrey Kneller (1646 - 1723), the characterisation of his heads, in particular, have an individuality all their own. Collins Baker remarks that they have a ‘temper of… a certain austerity and sadness… marked characteristics that (he)… found in the work of not other painter’.
The introduction of a faithful hound into our composition, looking keenly upwards at his young master in anticipation of some treat, is also found in the full length portrait painted circa 1685 of Edward Russell, 5th Earl of Bedford (Hardwick Hall, Derbyshire). The artist’s finest work is considered to be a portrait dating from circa 1689 of The Hon. Robert Boyle (Royal Society, London).
Click on image to zoom